Monday, February 24, 2025

Previsualisation



How was this picture taken?

Triathlete, Laura Tingley in Sevenoaks swimming pool during August 1996, crumbs nearly three decades ago.

Back in the days of regular film use an 800ASA film was loaded. A bit extravagent as outside it was a bright summer's day and only one shot would be used from the pool. 
With 800 it was possible to obtain 1/500th sec at f2.8, hence the out of focus highlights in foreground and background.

Without the luxury of digital and a screen to check the result and although autofocus (AF) was used by many photographers - it had been around since 1985 - I was still wary of it. However, for some strange reason, rather than pre-focus and hit the button at the right moment which was my motor sport technique, I chose AF. 
The lens was Nikon's superb 180mm f2.8 in its second AF guise with a matt black body but not AFS. (To follow - Why is a prime telephoto lens better than an telephoto zoom? VR and IS versus wide aperture and prime lens use).

At Sevenoaks Chronicle I had inherited an F90 and SB26. 
This combination enabled FP-flash mode which means that a synchronisation shutter speed faster than 1/250th can be used. 
So a dash of fill-in flash was used to freeze the water droplets coming off the swimmer's arm. 
In addition some panning (following the subject's movement with camera and lens) was used although this is not evident in the finished shot as 1/500th cancels it out.

With film it is never possible to be completely certain that all the tricks have worked to produce the desired effect. 
It was a nervous wait from lunchtime on the Sunday until Monday morning when the 1-hour lab opened.

The negative for this shot is somewhere within the Chronicle's archives. 
I have a 15 x 10 inch hard copy which was photographed with a 4MP compact digital to produce the file used to illustrate this article. 
In many ways the original print is of more use to me now than the negative but at the time I was not happy to "give" away my best negs.

In 1997 it was one of two sports photos in my BT Award winning potfolio.

Olympus 35RC - A classic rangefinder film compact

Why not buy a used Olympus 35RC? The Olympus with its razor-sharp 42mm 2.8 lens and  modern film will give far better resolution than most digital cameras. Camerabase, on Edinburgh's Morningside Road is an ideal shop to start a search for classic film cameras.
If you shot one film a week and had it processed and scanned it would take many weeks to match the price of a digital. New digitals are worse than new cars when it comes to depreciation.


Why Film Might be Better

Using film encourages proper camera work as the photographer aims to make the best possible exposure and thus minimise costs.
A Rolleiflex like that pictured left, made in the 1950s, more than 60 years ago will produce just as good results as a 40 Megapixel back and is available second hand for a fraction of the price.
The results on 8 x 8 prints or even 5 x 5 prints are always a joy to view from the Rolleiflex. The colours, using films which were not available when the camera was made knock spots of most digital cameras.

Thursday, June 24, 2021

Meconopsis in flower


A Meconopsis flower is picked out by selective focus among a large patch of the flowers at Dawyck Botanical Garden in early June 2021.

Tuesday, June 22, 2021

A snail's 'high times'


A snail's tremendous 'trip' left it high on a poppy for a flower feast.

Saturday, November 03, 2012

Bonfire Night Peebles

A Montage of my firework images from Victoria Park, Peebles, which we attend every year. All images Nikon D800 + 28-70mm/2.8, the exposure time for the main firework image was 4 secs f8, ISO 100, with focus set to infinity. My Calumet Class project for the week was nightime/hallow'een and bonfire night.

Saturday, October 27, 2012

Autumn Morning

The River Tweed flowing through Haylodge Park, Peebles, photographed at the end of October 2012 with a Nikon D800 and 70-300mm VR lens. The fullsize file is a 26mb jpeg.

Friday, October 26, 2012

Antique Clock


Louis XV style tortoiseshell bracket clock made by Elkington and Co Ltd Paris, together with its catalogue image. Photographed under halogen spotlight using polarising filter. It will be sold on Saturday, Lot 684, estimate £100-150. Inset is the catalogue picture against a "white" background, but it looks grey!

Found while digging on the allotment and photographed with a 60mm/2.8 macros lens, daylight.